How about including kid-friendly dosas, that have loads of cheese, fresh tomato sauce, and less spicy gravies? Maybe the side dishes like chutney or spices aren't liked by kids. Is there a target audience that does not like my product? Why? (Feedback) How about catering to college students and senior citizens? Mostly office goers who stay away from home (let us say the age group of 25-35 years) and need quick bites, eat dosas. Who are my customers? How can I increase my customer base? (Expansion) Maybe the chutney has that extra smooth texture and the subtle touch of homemade food. Why do people like my product? (Uniqueness) Here are some questions that you can ask: Ask for feedback and suggestions from your customers, know how your competitors are doing, know if your employees are happy, and so on. But, how will you know what to do? It's simple, you need to know your customers and their preferences better. So, the key takeaway here is that constant up-gradation and innovation are essential for the success of a business. Thus, they have better chances of attracting more customers. A competitor, who also started serving the same food items as yours added ‘Cheese Dosa’ or ‘Maggi Dosa’ to their menu will offer customers more options. Let's consider that you have started a simple ‘Dosa’ business, and after 2 years, you are still selling the same food items without any improvements. Data collection and problem creation toolsĮvery business evolves through innovation. In this section, we will learn about the best data science tools for accomplishing every single step efficiently.ġ. Following are the different stages or key steps in data science:ĭata wrangling (data munging or data preparation)Įach step in data science requires a different set of tools. Data science is vast and seems complex.īut, if you break the whole process into sub-stages, you will notice that all you need is thorough technical knowledge and good organizational skills. Apart from the ones mentioned in this article, there are many more data science tools available in the market, each having its own set of features and benefits, but these are the most popular, and learning them will never be a waste of time (ever!). We will discuss different tools that you can use for each stage later in this article. Many tools like R, Python, RapidMiner, Tableau, and Power BI help to automate various stages of data science, such as data preparation, data analysis, algorithm implementation, and data visualization. Learning at least a few of these data science tools will help you complete a considerable part of your data science learning journey. are some tools used by programmers, whereas business analysts use tools like Rapid Miner, KNIME, PowerBI, etc. There are various data science tools for programmers (having good programming knowledge) and for business analysts (who may not have any programming knowledge).įor example, Hadoop, Python, R, SQL, etc. Data science can be performed with ease using different tools. Whether you are from a math background or not, whether you have worked with SQL or a programming language before or not, if you love to crack puzzles and can find links, patterns, and behaviors in unstructured data – data science is for you. The processing and modeling of huge data to solve real-world problems are what Data Science is all about. Thus, it requires special processing of such data to extract meaningful information. However, the user data collected by such apps and other online businesses is raw and available in huge quantities. continuously mine user data to know more about them and provide them with a better user experience. WhatsApp, Facebook, Instagram, Google, Uber, etc. Almost every one of us depends on the internet today, and thus, we share our data directly or indirectly with websites, apps, etc.
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They're all delightfully awkward, and I think we're meant to like them more for the strangeness that binds them together. Her boss, a wealthy Native American woman, is purposely passing as white. Her struggling actor roommate finds he gets treated better in a werewolf costume than as a gay, black man. She's possibly the last person in New York still using the classified ads. Kimmy just spent the past 15 years in an underground bunker, trapped by an Ariel Castro-inspired doomsday cult, and she's as new to the city as Dong. Everyone we come to care about is an outsider misfit. Unbreakable, after all, is all about foreignness. But within the universe of this show, Dong's foreignness completely makes sense, and it makes him a stronger character. In the bigger, bird's-eye view of Asian-Americans on screen, the squickiness people feel over Dong is completely understandable, especially since the landscape was so desolate until recently. So which is it: Does Dong push back against Asian stereotypes, or does he just prop them up? The joke is an equalizing force - depending on the context, both of their names can read as ridiculous.īut for a lot of viewers, including a lot of Asian-American ones, the traits that make Dong such a classic Fey-sian misfit also make him a dull, even infuriating Asian stereotype: his thickly accented, broken English his gig delivering Chinese food by bike his aptitude for math his deportation-anxiety storyline. The irony that Dong is the one teasing Kimmy about her name floats completely over his head, which is partly what makes him such an endearing character: He unwittingly reclaims the gag. "In Vietnam, Kimmy means penis!" he says, leaving her stumbling for words. But this time, Dong, played by Ki Hong Lee ( The Maze Runner and a whole bunch of Wong Fu videos), has his own reason to snort. "Nice to meet you, Dong, I'm Kimmy," she spits out. And, as surely happens to Dong all the time, ever since he immigrated to New York from Vietnam, she's stifling a giggle over his name. The very first time we encounter Dong Nguyen, one of several hotly debated characters in Tina Fey's Unbreakable Kimmy Schmidt, he has just introduced himself to Kimmy in their GED class. Dong (Ki Hong Lee) and Kimmy (Ellie Kemper), right after they meet. Offering higher levels of security in comparison to local storage solutions, users continue to flock. 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In April, Twitter delayed a transition to a new API that was expected to have a significant impact on third-party Twitter clients like Twitterrific and Tweetbot. Tweetbot is available as a free download on the App Store, but a subscription is necessary to send tweets and access other features. Hopefully, the lack of new features in this update will be addressed in subsequent releases. It’s a shame because Tweetbot remains one of the premier third-party Twitter clients for iOS. Even though the Tweetbot subscription isn’t expensive, I think Tapbots owes its users more than it has delivered. Tweetbot’s subscription is primarily based on the promise of future updates. Recognizing this, many developers time the move to a subscription with a substantial app update to start off on the right foot, which Tapbots hasn’t done. I have no issue with subscriptions conceptually, but they rightly carry the expectation that in return for regular payments, users will receive meaningful, periodic updates. However, in the long run, a successful transition to subscriptions makes up for lost users with recurring revenue, which I’m sure an experienced development team like Tapbots has considered. No matter how well it is handled, the change upsets a segment of users who aren’t willing to sign up. Service options for URL shortening, image uploads, and video uploads have been eliminated.Chrome and Firefox have been added as browser options for opening links.Dark mode has been extended to the app’s Settings screens.There are more and different UI themes, including four light versions and five dark versions where previously there were five total.There are three new alternative app icons: Future, Future Noir, and Future Metal, which bear a close resemblance to the Modern versions of the icon.Tweetbot 6 has implemented changes to the app’s settings too: Polls and cards are also visible thanks to the implementation of Twitter’s latest third-party APIs, and there are new dedicated and ‘#’ buttons in the app’s tweet composition sheet. In the main timeline, you’ll notice more image thumbnails than before. Tweetbot 6 includes new icons, themes, and other Settings updates.Īside from the new pricing model, Tweetbot 6 has only implemented a handful of new features, including a few changes to the timeline view and some design changes. However, some of the app’s features require a subscription. Tweetbot 7 is available as a free update on the App Store for the iPhone and iPad. As someone who spends a lot of time on the Mac, that’s disappointing and something that I hope will change soon. The two versions are badly out of sync in terms of features too. However, with each new feature and refinement to Tweetbot’s iOS and iPadOS apps, the Mac app looks more and more dated. I missed the app’s stats view, so it’s nice to see its return. The pace of Tweetbot updates has picked up significantly in recent months, which is fantastic. Hej features a slate blue background with yellow highlights, while bumblebee has a near-black background with brighter yellow accents. Tweetbot 7 also includes new dark themes called hej and bumblebee. You can swipe across the graph to see each category by day or tap the categories under the graph to jump straight to that view. The view includes a graph at the top, followed by statistics detailing your timeline activity for the last week, including Likes, Replies, Tweets, Retweets, Quotes, and Follows. Today, that view is back in Tweetbot 7 for the iPhone and iPad, thanks to the social media company’s increased willingness to open its platform to third-party developers like Tapbots. Over three years ago, Tweetbot removed the app’s stats view as a result of Twitter API changes. The latter can be enabled on a user’s profile page (pictured below) or by long-pressing someone’s profile picture in the timeline. In terms of why this matters for users, background notifications alllow Tweetbot to support notifications for more types of activities: you can now enable notifications for new followers, people who quote one of your tweets, and – my favorite – new tweets from a specific user. These notifications, unlike push notifications, are managed by iOS/iPadOS’ background app refresh system, which comes with some benefits and limitations that Tapbots has outlined here. In today’s 7.1 update, Tweetbot has gained support for background notifications. We’ve been keeping an eye on Tapbots’ rapid development pace for Tweetbot on iPhone and iPad over the past few months (we gave Tweetbot 6 a MacStories Selects award in December), and I continue to be impressed by how Tweetbot is growing and adding new features thanks to its new business model and Twitter’s new API. This one took about four minutes to arrive – not too bad considering they’re not based on push notifications. Head to Live Auctioneers for all the details. The rare Firebird is being sold on behalf of the Johnny Winter estate. Guernsey anticipate a $24,000 starting bid. 12-string Firebirds were built by Gibson only in 19, and sunburst was the standard finish: Winter’s cream one is extra rare. This was the first (electric) guitar Madonna ever played in performance.” It should be noted that Madonna’s designers/stage team initially suggested some sort of custom space-age design, but she herself insisted on a classic: a Gibson Les Paul.īut of most interest to real gear nerds might be Johnny Winter’s 12-string Gibson Firebird. “It is one of the most photographed guitars ever, appearing in magazines and newspapers from around the world. “This guitar introduced Madonna: the guitar player to the world,” says the catalog. It's a lot shorter than the typical Stratocaster (25. This faithful recreation of Winters Firebird V was crafted by. If you like the playability of a Gibson, this guitar will feel pretty similar. For your consideration, Garrett Park Guitars presents this Gibson Johnny Winter Firebird V. There’s also a black Gibson Les Paul that Madonna (that’s right!) played on her Drowned World tour of 2001, serial #001360. Gibson Custom Johnny Winter 1964 Firebird V's scale length (at the top) compared to other popular sizes This is the scale length used in most Gibson guitars. There’s a 1989 Gibson L4 Custom that belonged to David Bowie, played in his Tin Machine Days. McCartney played it on early 2012 sessions for his New album. There’s a vintage 1953 Gibson Les Paul that belongs to Paul McCartney! The Goldtop, which is a right-handed model, has been retro-fitted with PAF humbuckers, making it non-true to original ‘53 Goldtop spec, but that’s unlikely to deter bidders. While only some 500 examples of the Firebird V were shipped in 1964, this Johnny Winter tribute is an even rarer bird, limited to 125 guitars. On December 2, Guernsey’s Auctions will hold a sale in New York called “Legendary Guitars & Musical Treasures.” There are indeed some treasures for very well-heeled Gibson fans. The cosmetics are the skilled work of Gibson’s Murphy Lab, which has added a myriad of dings, scuffs and scrapes to the well-aged Polaris White finish to bring the authenticity home. macOS Monterey also had bricking problems last year, when reports suggested that in some cases at least, installing the OS was leaving devices unable to switch back on again. iOS 15 is a case in point, with most of its recent iterations suffering from serious bugs and security vulnerabilities affecting both the OS itself and its built-in apps like Safari and Photos. Have any further questions, let us know.Bugs are a part and parcel of any software update, but Apple's new releases are gaining a nasty reputation of being filled with problems. These fixes will surely be effective to rule out the glitches. These are some of the tweaks you need to make on your Mac to download and install a new copy of your macOS Monterey on your Mac.
So while the new chroma and luma sliders are interesting and often useful, they are often just another way of working.DxO has announced updates to its PhotoLab 6 and ViewPoint 4 software packages, which include artificial intelligence (AI)-powered features and new tools for photographers. Now I could have achieved exactly the same thing by creating another control point over the yellow petals, which would have applied the same exposure and vibrancy settings to them – this time it would be targeting the yellow tones. The issue here is that the control point is targeting the greens of the leaves but not the yellows of the petals – so if reduce the chroma sensitivity to zero, this brings in the yellow tones too. It looks OK, but the yellow petals are still quite dark and subdued. I’ve added a control point to the green leaves of this bunch of narcissi, increasing the exposure, contrast and vibrancy (keep in mind that these adjustments are in different tabs in the U-point controls, so you don’t see them all at the same time). It proved quite difficult to find images that might benefit from reduced chroma sensitivity, but here’s one. The pipework has toned down rather nicely and now has more contrast and depth, and while the blue pained part of the motorcycle have darkened slightly, it’s not enough to need correcting. At the same time, I don’t want my adjustments spreading into the blue fuel tank above, so I try setting the chroma sensitivity to maximum. The metalwork I want to tone down has a wide range of brightness values and I suspect the control point’s default settings are not targeting all of them, so I’ve reduced the luma sensitivity to zero. Changing the control point luma and chroma settings Boosting the contrast helps, but doesn’t fix the issue. If I put a control point on the exhaust piping and reduce the exposure, it just looks a bit muddy. First attempt, default control point settings This detail shot of a vintage motorcycle is all right, but the exhaust manifold is a bit bright and distracting and the ‘Henderson’ badge on the tank doesn’t exactly stand out. It’s a much better outcome and it was worth checking the control point settings and adjusting them. The control point wasn’t having much effect on the whole car because it was targeting the sunlit part too tightly.īy reducing the control point’s luma sensitivity, I’ve spread those color adjustments over the whole of the car, including the parts in shade. If I try reducing the luma sensitivity value I can see the problem – and the solution. It’s not always very clear which areas are selected until you start changing the chroma and luma settings.īy default the control point chroma and luma settings are set to 50. There is a ‘Check Mask’ box at the bottom of the window to show the control point mask as an overlay to see which areas it’s selecting. It’s not had much effect, though, so I suspect the default mask is too selective. I’ve placed a control point over a sunlit pat of the car, increased the radius to include the whole car and made some adjustments to reduce the exposure and increase the saturation and vibrancy. A control point adjustment is ideal here because it can quickly target the color and area I want to fix. This classic car was in part sun, part shade, so the exposure was always going to be a compromise and the color does look pretty undersaturated. Here’s a sample image I can improve with some selective adjustments. Here’s a run-through of how PhotoLab control points work, and how and when to use the new chroma and luma sliders. What the new chroma and luma sliders do is allow you to fine-tune the sensitivity to make the control point mask either more or less selective.ĭxO PhotoLab 5 control points and chroma and luma sliders in action So already, PhotoLab’s control points are pretty selective. As you move it, the central point will move too and will change the mask to reflect the tones directly underneath it in its new position, applying the same adjustments but to a different area. You can change the size of the control point (the radius of its effect) and you can also move it around. PhotoLab control points are for making quick and powerful local adjustments in a way that’s quite unique and different to any other program.Įach control point works over a circular area but creates a mask automatically within that, based on the colors and tones directly under the central point.Įach control point has pop-out controls for adjusting, exposure, contrast, saturation, white balance and more. So how do these control points work, are they useful and do the new sensitivity sliders make a difference? Now it’s enhanced them with chroma and luminance sensitivity sliders. PhotoLab control points were inherited from Nik Software’s clever U-point local adjustments (aka control points) when DxO took over the Nik Collection. |